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One of the troubling things about modern (“quantum”) physics, and which lends a dangerous feeling of esotericism to the field, is the list of proscriptions it often comes with: we can’t know this, you’re not allowed to ask that, you’re asking the wrong question. What makes David Bohm a hero to me has less to do with the particular view of the quantum world he championed than with his courage in general to ask whatever he wanted to. Much of the “conventional” view of quantum mechanics is summarized by the debates Bohr & Einstein had at the 1927 Solvay conference,

Having been a colleague and collaborator of David Bohm for over thirty years, I congratulate Paul Howard for producing a film that captures the spirit of David Bohm as I saw him. The film is not about physics or about Bohm’s physics, but about how physics in the hands of a visionary led to a world view that was in complete contrast to the traditional reductionist and mechanical view. David Bohm has taken Niels Bohr’s notion of ‘quantum wholeness’ to a new level of understanding. Bohm was recognised by his contemporaries and invited to the Shelter Island conference after World War

It’s not often that a project comes along that gives one the opportunity to ask meaningful questions about ourselves as individuals, about life in general and what it is that motivates our behavior and approach to life. I had heard Paul talking about the David Bohm Infinite Potential project for some time but honestly thought it would be a very difficult project to get financed. The ideas sounded wonderful and very inspiring, ideas about wholeness, oneness, emergence and  transformation that embraced  the notion of consciousness and what that might be. These are all ideas I have been personally very interested

I’m very honored to be among a select group of creative people who had the chance to contribute to the film Infinite Potential. Filmmaking is teamwork and we had a lot of amazing people working very hard to allow this project to manifest itself. As the cinematographer and one of the film’s editors, my primary contribution was to the visual language. My approach was to visualise the idea of “undivided wholeness” and come up with metaphoric montages that could do it justice. David Bohm referred to it as the “Implicate Order” enfolding into the “Explicate Order”––a notion he picked up